Dexys: Still Chasing That Soulful Sound

Dexys Midnight Runners: A Journey Through Sound and Style

For decades, Dexys Midnight Runners, often simply known as Dexys, have carved a unique niche in the British music landscape. Fronted by the charismatic and ever-evolving Kevin Rowland, the band has undergone numerous transformations, yet their core spirit of soulful expression and distinctive style has remained remarkably consistent. From their gritty Northern Soul beginnings to the global phenomenon of "Come On Eileen," Dexys have consistently defied easy categorization, always pushing forward and refusing to be confined by past successes. This article delves into the rich history of Dexys Midnight Runners, exploring their formative years, their meteoric rise to fame, their struggles with identity and personnel changes, and their enduring presence in the music world today. We'll also address the common question: are Dexys still relevant in today's music scene?

The Genesis of Dexys: From Birmingham to the Charts

The story of Dexys Midnight Runners begins in 1978 in Birmingham, England. Founded by Kevin Rowland (vocals, guitar) and Kevin "Al" Archer (vocals, guitar), both formerly of the punk band The Killjoys, the band's name itself was a nod to Dexedrine, a stimulant favoured by Northern Soul fans for its energising properties. Rowland's vision was clear from the outset: to create a band with a powerful, emotive sound and a strong visual identity. He famously declared, "Anyone joining Dexys had to give up their job and rehearse all day long... We had nothing to lose and felt that what we were doing was everything." This dedication to the craft, coupled with a desire to forge their own path, set the tone for the band's future.

The initial lineup, solidified by the end of 1978, included "Big" Jim Paterson (trombone), Geoff "JB" Blythe (saxophone), Steve "Babyface" Spooner (alto saxophone), Pete Saunders (keyboard), Pete Williams (bass), and John Jay (drums). Their early sound was heavily influenced by Northern Soul, but Rowland was also keen to incorporate a more theatrical element, drawing inspiration from artists like Bryan Ferry. The band's distinctive look, a blend of donkey jackets, leather coats, and woolly hats, further set them apart, a conscious effort to create a unique visual statement.

Under the management of Clash manager Bernard Rhodes, Dexys recorded their first single, "Dance Stance" (initially titled "Burn It Down"). Despite critical acclaim, including being named "single of the week" by Sounds, the single only reached number 40. Rowland attributed this to Rhodes' production, leading to Dexys parting ways with him and signing with EMI. With Pete Wingfield taking over production duties, and some personnel changes including the addition of Andy Leek (keyboards) and Andy "Stoker" Growcott (drums), Dexys were poised for greater success.

"Geno" and the Dawn of Stardom

The year 1980 marked a significant turning point for Dexys Midnight Runners with the release of "Geno." A tribute to American soul singer Geno Washington, the song rocketed to the top of the UK charts, becoming a number one hit. This success was not only a personal triumph for Rowland, who had been inspired by Washington's performances since childhood, but also a validation of the band's evolving sound and ambition. The single featured the "Late Night Feelings" imprint, which became a signature element of Dexys' releases on EMI.

The band's debut album, Searching for the Young Soul Rebels, released in July 1980, further cemented their status. The album, which included "Geno," was lauded for its raw energy and soulful delivery. The album's sleeve famously featured a photograph of a Belfast Catholic boy, a deliberate choice by the Irish-descended Rowland to reflect a sense of unrest. However, the creative process was not without its challenges. Rowland's insistence on re-writing lyrics and EMI's objections to certain single releases led to further internal friction. Following the release of the single "Keep It Part Two (Inferiority Part One)," which proved to be a commercial failure, five band members departed, citing personality clashes with Rowland and his policy of avoiding the music press. Al Archer, a key co-founder, also left, leaving Rowland and "Big" Jim Paterson as the core of the band.

Dexys Mark II: The "Too-Rye-Ay" Era and Global Recognition

The early 1980s saw Dexys undergo significant restructuring. Rowland and Paterson recruited new members, including Kevin "Billy" Adams (guitar/banjo), Seb Shelton (drums), Mickey Billingham (keyboard), Brian Maurice (alto saxophone), Paul Speare (tenor saxophone), and Steve Wynne (bass). This new iteration of Dexys adopted a fresh look, embracing hooded tops, boxing boots, and ponytails, and Rowland introduced a rigorous fitness regime for the band. This period also saw Dexys navigate a complex relationship with EMI, eventually securing their release from the label and signing with Mercury Records.

The band's sound continued to evolve, incorporating elements of Celtic folk music alongside their signature soul influences. This fusion culminated in the recording of their second album, Too-Rye-Ay, in early 1982. The album featured a revamped lineup, including the addition of violinist Helen O'Hara, who recruited fellow students Steve Brennan and Roger MacDuff, forming "The Emerald Express" string section. However, the increased prominence of the strings led to the departure of the brass section, including "Big" Jim Paterson and Brian Maurice, though they were persuaded to return for the recording sessions.

The release of Too-Rye-Ay produced a string of hit singles. "The Celtic Soul Brothers" reached number 45, but it was the follow-up, "Come On Eileen," that catapulted Dexys to international superstardom. The song, a catchy and emotive blend of soul and folk, became a number one hit in the UK and their first single to chart in the United States, reaching number one on the Billboard Hot 100 in April 1983. The album also spawned the top 5 hit "Jackie Wilson Said (I'm in Heaven When You Smile)," famously performed on the TV show *The Young Ones*.

The success of Too-Rye-Ay, however, came with its own set of challenges. The departure of key members like Paterson and Billingham led to further lineup changes, with Nick Gatfield joining on saxophone and various session musicians filling in. The band's core leadership now rested with Rowland, Adams, and O'Hara.

Dexys Mark III: "Don't Stand Me Down" and the Break-Up

Following the immense success of Too-Rye-Ay, Rowland found himself grappling with the pressures of fame. In his own words, he felt "completely lost" after achieving widespread recognition, leading him into a period of "complete self-destruct mode." The band's next album, Don't Stand Me Down, released in September 1985, represented a significant shift in their musical direction. Recorded over two years with a diverse range of producers and session musicians, the album delved into more introspective and mournful territory, incorporating conversational dialogue within the songs.

The album's new sound and the band's fourth distinct look – a clean-cut, Ivy League style – were met with mixed reactions. While some critics praised its challenging and ambitious nature, many dismissed it as a departure from the band's core sound. Rowland's initial refusal to release singles from the album further contributed to its commercial struggles. Despite the release of a shortened edit of "This Is What She's Like," the album failed to gain traction, and the subsequent tour played to sparsely populated venues. Rowland later reflected that the record company had "thrown the towel in" and that he had begun to struggle with drug abuse.

Despite these setbacks, Dexys experienced a brief resurgence in late 1986 with the single "Because Of You," which was used as the theme tune for the British sitcom *Brush Strokes*. However, the band ultimately disbanded in early 1987.

Rowland Solo, Re-Formations, and the Enduring Spirit

Kevin Rowland embarked on a solo career following the Dexys break-up, releasing the poorly received album The Wanderer in 1988. This period was marked by personal struggles, including financial difficulties, drug addiction, and depression. However, the release of a "greatest hits" compilation in 1988, The Very Best of Dexys Midnight Runners, reignited interest in the band and led to Rowland seeking treatment and planning a reunion.

While a full reunion proved elusive, Rowland continued to work on his music. In 1997, he reissued Don't Stand Me Down, which was met with a significant reappraisal, with many critics now recognizing it as an overlooked masterpiece. His 1999 solo album, My Beauty, while commercially unsuccessful, garnered attention for its artistic risks, including Rowland's cross-dressing cover attire.

In 2003, Dexys reformed with a new lineup, including original members "Big" Jim Paterson and Pete Williams, alongside new recruits like violist Lucy J. Morgan. The reformed band released a greatest hits album, Let's Make This Precious, and embarked on a successful tour. Rowland emphasized that the reformed Dexys were not a nostalgia act but a band looking to the future.

Dexys Today: "One Day I'm Going to Soar" and Beyond

The 2010s saw Dexys continue their musical journey. In 2012, the band, now officially shortened to "Dexys," released their fourth studio album, One Day I'm Going to Soar. The album, a return to the more conceptual and narrative style of Don't Stand Me Down, was well-received and followed by a UK tour. The band continued to tour and evolve, with members coming and going, but Rowland remained the constant driving force.

In 2016, Dexys released their fifth studio album, Let the Record Show: Dexys Do Irish and Country Soul, featuring interpretations of Irish folk standards and songs Rowland had long admired. The album showcased a collaboration with original violinist Helen O'Hara, marking her first recording with the band in 30 years. The album debuted in the UK Top 10, demonstrating the band's continued appeal.

More recently, in 2023, Dexys released their sixth studio album, The Feminine Divine, which received widespread critical acclaim and entered the UK Official Albums Chart at number 6. The album was supported by extensive touring across the UK, Ireland, and Europe, featuring a setlist that blended new material with beloved classics. Despite a planned US tour in late 2023 being cancelled, Dexys released a live album, The Feminine Divine + Dexys Classics: Live!, in May 2024, and announced a series of festival appearances, including Glastonbury, reaffirming their enduring commitment to live performance and their passionate fanbase.

Are Dexys Still "Come On Eileen"?

The question of whether Dexys Midnight Runners are still relevant in today's music scene is best answered by their continued output and the passion of their fanbase. While "Come On Eileen" remains their most iconic hit, a defining moment in 1980s pop music, to reduce Dexys to just that one song would be a disservice to their rich and varied career. Kevin Rowland has consistently steered the band towards new sonic territories, from the raw soul of their early days to the folk-infused anthems of Too-Rye-Ay and the introspective complexities of Don't Stand Me Down. Their recent albums, One Day I'm Going to Soar and The Feminine Divine, have proven that Dexys are not a heritage act content to rest on their laurels. They continue to create vital, engaging music that reflects Rowland's enduring artistic vision.

The band's ability to attract new fans while retaining the loyalty of their original audience speaks volumes about their lasting appeal. The raw emotion, the distinctive vocal delivery of Rowland, and the unwavering commitment to artistic integrity are qualities that transcend fleeting trends. Dexys Midnight Runners, in their various incarnations, have always been about more than just a hit single; they have been a conduit for powerful emotions and a testament to the transformative power of music. They may have started as Dexys Midnight Runners, but their journey has been one of constant evolution, proving that true soulfulness never truly fades.

Key Takeaways:

Frequently Asked Questions:

Q: Are Dexys Midnight Runners still together?
Yes, Dexys, led by Kevin Rowland, are still active and released their sixth studio album, The Feminine Divine, in 2023. They continue to tour and perform.

Q: What is the meaning behind the name "Dexys Midnight Runners"?
The name is derived from Dexedrine, a brand of dextroamphetamine, which was a recreational drug used by Northern Soul fans to sustain energy for all-night dancing.

Q: What happened to the original members of Dexys Midnight Runners?
The band experienced significant personnel changes throughout its history. Many original members left due to creative differences or personality clashes with Kevin Rowland. Some went on to form other bands, while others pursued solo careers.

Q: Is "Come On Eileen" still their biggest hit?
Yes, "Come On Eileen" remains their most commercially successful and widely recognized song, achieving number one status in the UK and significant international success.

Q: What is Kevin Rowland's current role in Dexys?
Kevin Rowland is the sole constant member and the driving force behind Dexys. He leads the band's creative direction and continues to perform and record with them.

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